Award-winning Author of the Sister Frevisse Mysteries and the Joliffe Player Mysteries 

 

March 31st, 2008

The audio book of The Sempster's Tale has been released in the UK. You can order it internationally through Amazon.co.uk, or directly from Isis Soundings at a considerably lower price. Unlike the audio book of The Boy's Tale, which is only available on audio cassettes, The Sempster's Tale is available on both audio cassettes and CDs.

- Margaret

March 20th, 2008

It also occurs to me that I should promote Once Upon A Crime bookstore's annual Write of Spring event, even though I'm not going to be there this year. It's a great get-together of authors and fans, starting at noon this Saturday, March 22. Fifty-six mostly-Minnesotan mystery authors will be there, last I heard. You should check it out! Even if you can't go, you should see the fun you're missing!

UPDATE: Pat at Once Upon a Crime wanted me to let everyone know that, while I will not be able to attend, they will have autographed copies of The Apostate's Tale available for anyone who wants one. You can e-mail them at onceuponacrime@earthlink.net to reserve a copy. They will also ship autographed copies. 

- Margaret

March 19th, 2008

AUTHOR WEAVES TALES SET IN MEDIEVAL TIMES

The Star News has published a full-page interview that they conducted with me a few days ago.

She sits at her computer before a bay window that overlooks bird feeders and a pristine snowy landscape.

A fire crackles in the wood-burning stove and the walls of the room are lined with books which she uses in researching the Middle Ages.

In one bookcase are card files dated from the 1420s to the 1480s. Inside are index cards with individual dates and notes about that day, ranging from historically significant events to what the weather was like...

You can read the full piece here.

- Margaret

March 10th, 2008

TRAITOROUS SKETCHES

My agent just forwarded me the initial concept sketch for the Robert Hale edition of The Traitor's Tale. It seems to be quite a departure from the previous volumes, and I thought it might be something everyone might be interested in taking a peek at:

The Hale editions remain the only editions of my books to be published in the UK (they are also the only way to obtain hardcover copies of the early Frevisse and Joliffe books).

- Margaret

March 7th, 2008

APOSTATE'S TALE - SAMPLE CHAPTERS

The Apostate's Tale has been out for over two months and I'm only just now getting around to having sample chapters made available on the website.

I'd blame my webmaster, but the truth is things have simply been extraordinarily busy. Add one looming deadline, two new projects, and a dash of personal crises and the entire month of February seems to disappear entirely!

- Margaret

March 5th, 2008

PLOTTING MURDER

Someone on the CrimeThruTime mailing list asked:

"When you get an idea for a Frevisse or a Joliffe novel, do the characters and circumstances of the murder occur to you first, or not? And even if not, do you need to decide what those are going to be before you start writing? Or do you actually begin the novel not knowing yourself who's eventually going to get murdered, how and why?"

An excellent question that I could not resist answering.

As to whether the characters or the circumstances come first, it's different with every book. Sometimes, as with The Reeve's Tale, I thought it was time to do a story centered on ordinary people in a village situation. So I went through my various notes from research that I keep for possible plot ideas and gathered various possibilities for relationships and what might go wrong in a medieval village. The characters and plot came from those.

On the other hand, for The Apostate's Tale I wanted to see what would happen if an apostate nun returned to the nunnery, so in that case the characters were the starting point.

Once I'm past the starting point with any book, however, the working out of the plot and characters becomes such a tight interweave there's no way to say that one predominates over the other. I do know who is going to get murdered and why before I start writing. I don't start writing until I have the plot and the relationships among the characters worked out and written down. But -- and this is a very large BUT -- I've learned to leave the last third or so of the outline very general when I write it out, because in the actual writing of the story, as the characters begin to flesh out and develop as individuals, things happen that I didn't expect or foresee in the mere plotting of the story. I intensely enjoy the basic working out of the plotline and characters' relationships, but the real fun (and the real work) begins when I start to write the story and begin to find out who these people really are. They change from characters in an outline to individuals in their own particular world. By the time I'm two-thirds of the way through the story, people have taken on dimensions I could never foresee, and because of that the story loses details I had planned and gains ones I hadn't expected. So although the story ends where I originally intended, the course of action to get there is often widely different from my initial conception, simply because of how characters have developed in the course of the writing and changed the dynamics of the story.

- Margaret

January 31st, 2008

SONY E-BOOKS

After my last post (regarding the availability of The Traitor's Tale and The Apostate's Tale on Amazon's Kindle), it was pointed out to me that these titles are also available through Sony's e-bookstore.

So, yes, my two latest Frevisse books are also available as e-books: The Traitor's Tale is here, and The Apostate's Tale is here.

- Margaret

January 29th, 2008

KINDLING 

I was lately killing time by cruising around Amazon and saw that the The Traitor's Tale and The Apostate's Tale are both available as Kindle e-books.

    

The Kindle is a hand-held, electronic reader featuring a paper-like display. Apparently, unlike other e-book readers, you can order new titles and have them delivered directly to the reader. I'm somewhat dazzled by the science-fiction of it all, but my son tells me that it's the best e-book reader to date. He also points out that if you order the Kindle through this link, you'll be supporting me and the website in a "huge way".

I don't know about all that. But if you've already got a Kindle, then I thought you might like to know that my books are available for it.

- Margaret

January 11th, 2008

PRONOUNCING FRIDESWIDE

I've been asked more than once how to pronounce "Frevisse", and I posted my thoughts on the matter a few months ago. But today I got asked the same question about "Frideswide". So let's see if I can make a good answer of it.

I understand that at present it is pronounced "Fryswide" -- long "i" both times. But I have to suppose, given the spelling, that at some time that "d" was included. And then there's the final "e" that was pronounced in Chaucer's time but got dropped over the centuries. And then there's the Great Vowel Shift of the 15th century, when the pronunciation of every vowel took one step to the side, as it were, and changed to something else from what it had been. (I'm not making this up!) And of course there's the local dialect to consider, whatever it might have been then, but I'm not even thinking of getting into that.

So how was "Frideswide" pronounced by the mid-1400s? Take a guess! For myself, I tend to say "Frid es wid" with short "i" both times and short "e". But if I'm feeling frisky, I can add the final, now-silent "e" and get "Frid es wid eh".

But, on the whole, I think you should say it however seems comfortable to you!

-  Margaret

January 2nd, 2008

Happy New Year!

Today is the official release date for The Apostate's Tale.

I've heard from several people -- including my sons -- that they were seeing copies cropping up in stores even before Christmas. So it's more than possible that you've already finished the book! (If you have, I hope you enjoyed reading it as much as I enjoyed writing it.)

Today is also the official release date for the paperback edition of The Traitor's Tale.

So if you've been waiting for that one, now's your chance!

- Margaret

November 27th, 2007

The Ulverscroft UK large print edition of The Widow's Tale has been released.

There was a previous large print edition of The Widow's Tale from RB Large Print, but that has been out of print for quite some time now. So if you've been searching for that, hopefully you'll find this to be an ample and suitable substitute. If you're looking for other large print editions of my books, you can find them on the Alternative Covers page.

- Margaret

November 5th, 2007

Just a quick reminder that I will be appearing at the Valley Bookseller's Totally Criminal Cocktail Hour on November 7th.

Totally Criminal Cocktail Hour

Valley Bookseller

Dock Café 425 Nelson Street

Stillwater, MN (on the Riverfront)

November 7th, 2007 - 4:30 pm to 6:00 pm

The Totally Criminal Cocktail Hours feature "fabulous appetizers, a cash bar, and plenty of time for visiting with the author" (that would be me). I'll also be making a small presentation as part of the event. You can call for reservations at 651-430-3385 (although I have been given to understand that they are not necessary).

- Margaret

November 3rd, 2007

SAVING DAYLIGHT

We are at that time of year when the clocks are turned back, to match sun-time again for a few months. Time was that mankind’s daily life was regulated by nature’s light and dark. The sun’s progression marked where we were in a day and determined our hours of work. Night’s darkness brought time to rest (except when the full autumn moon gave ample light for working the harvest fields at night, to have the year’s food safely gathered and stored as quickly as might be). As mankind has increased ways of artificially lighting the night-time and dividing the day by ever-more complex mechanical ways, our relationship to day and night has shifted, until now we bend our days to our clocks’ time, rather than to nature’s.

That shift in psychology is a study in itself. But we’re medieval here, and it’s medieval time (as well as medieval times) I try to capture something of in my books. The medieval day was twenty-four hours long, yes -- that being an ages-old division of time -- but with twelve hours of daylight and twelve hours of night. Year round. So an hour on a summer’s day was far longer than the hour of a winter’s day, and the hours of a winter’s night were longer than those of a summer’s.

Among other things, that meant that if you held a job that required you to work from 6 am until 6pm, you worked a far shorter time in winter than you did in summer. Given that most work depended on daylight, this made good sense. There were even regulations in some places forbidding certain craftsmen to work by candlelight at night, lest the quality of their goods suffer.

Carrying through with the good sense, there is record of rules stating that during summer’s long daytime hours workmen were supposed to have breaks of a stipulated length for rest at mid-morning and mid-afternoon and for rest and food at mid-day. When winter shortened daytime’s twelve hours, workmen might still work from 6 am to 6 pm, but less time was allowed for the mid-day meal and there were no mid-morning and mid-afternoon breaks because those twelve hours were so much shorter than summer’s, leaving so much less time for work to be done.

Of course pay would shift accordingly – less work, less pay. Medieval employers were as practical as employers ever must be.

But it is interesting to look at a day’s time from a medieval point of view and then consider how the invention and spread of mechanical clocks, dividing the day into equal pieces of time the year around, changed the whole rhythm of people’s lives and their relationship to the natural world, to the point where now we throw an hour out of our days at one time of the year and bring it back in at another, all at the shifting of numbers on our clocks. With that and the bounty of artificial light we now have, sun-time and night-time are adjuncts to our lives, not our directors. It’s interesting to sometimes step aside and see our 21st century lives against the perspective of what-has-been -- to think about the difference between living lives by sun-time (the real-time of hundreds of generations) and the constructs in which we live our present lives.

- Margaret